The more I see of Japanese anime, the more I am impressed by, and the better I understand the way that many of these popular movies address serious issues. A while ago I wrote on the anime series Psycho-Pass and its pertinence for the question of societal control, and I have just finished watching another […]
film
Transcendence: The clash of humanity and technology
Near the beginning of the 2014 thought-provoking science fiction film, Transcendence (directed by Wally Pfister2014), one of the main characters, Max Waters (Paul Bettany), walks into and through a deserted house into a little courtyard, bends down next to some sunflowers (the only healthy plants in the garden), thinking aloud to himself that “he” (his […]
‘Maleficent’: A sea-change in popular culture
Maleficent (Disney 2014; directed by Robert Stromberg) is a magnificent film, and it almost seems more than fortuitous that the eponymous, powerful faerie is not called Malevolent, but bears a name that rhymes with “magnificent”. Judging by this recent re-imagining of the fairy tale, Sleeping Beauty, which was rendered in its classic Disney animated movie […]
New ‘RoboCop’ reboots the roboethics dilemma
The one good thing about being unable to sleep in an aircraft, sitting in a cramped-up position for longer than eight hours at a time in the case of two successive flights, is that you can catch up on all the recent movies you’ve not had the time to view. On our recent trip to […]
What the Samurai can teach the world about a truly human ethos
What does it mean for a people, or a nation (the two are not necessarily synonymous) to have a fulfilling ethos? By ethos (on which I’ve written here before) I mean broadly the distinctive cultural and social character of a group of people as manifested in their collective and individual activities, which are therefore expressive […]
Cinematic African magic: Cisse’s ‘Yeelen’ at iMPAC short-film festival
In a discussion of African beliefs in magic, Ryszard Kapuscinski (in The Shadow of the Sun, 2002) describes the strange nocturnal behaviour of a group of men, carrying someone on a stretcher on the outskirts of a village where he and his guide were spending the night, dashing furtively from shrub to shrub instead of […]
From science fiction to fact? “I, Robot” and real robotics.
In Alex Proyas’s I, Robot, a relatively recent science fiction neo-noir film, Spooner, the noir detective tasked to solve the suspected murder of a brilliant scientist and robotics expert in the not-too-distant future, hates robots. The reason? When he was involved in a car accident some time before, he was rescued from his sinking car […]
Is cinema fundamentally conceptual or perceptual?
Looking for different ways in which the human body has been thematised in film makes for interesting research. I was reminded of this recently when acting as examiner for a dissertation written by a master’s student, Martin Rossouw of UFS, in which (among other films) he analysed Charles Chaplin’s 1936 classic, Modern Times. Rossouw demonstrated […]