Although I have come across quite a few people who dismiss the richly ambiguous La La Land as an unsuccessful attempt at a musical – no doubt implicitly comparing it to traditional musicals like My Fair Lady or The Sound of Music – I do not share their view. It is an outstanding film that […]
cinema
Technocratic culture: ‘Disconnect’
If you don’t like thinking for yourself, don’t read this post. If you prefer playing around on your mobile device or smartphone, don’t bother reading further. The phone is definitely smarter than you are if you have relinquished your own memory and thinking-ability to its functionality. But if you would like to know something more […]
The feeling of living in a ‘dystopian’ present
You know that you are living in a “dystopian” or “degraded” era when virtually everything around you emits unmistakable signs that, whatever the underlying reasons might be, instead of signs of hope for a better future, those that signal a future we should perhaps fear (and perhaps feel guilty about), are slowly but surely accumulating. […]
What ‘decolonisation’ means: E.M. Forster’s A Passage to India
With all the talk about “decolonising” university curricula (see http://thoughtleader.co.za/bertolivier/2016/03/23/decolonisation-the-new-ideology/), which has again cropped up among the demands of the protesting students, I thought it might be productive to remind students and academic staff alike of one of the most eloquent – in fact, together with Joseph Conrad’s Heart of Darkness, exemplary – critical literary […]
Virtual reality just innocuous fun?
The cover of a recent edition of Time magazine (August 17 2015), shows a guy with what seems like a pair of goggles on his face, in jeans and a golf shirt, jumping into the air against the backdrop of a beach scene. Except … the “goggles” are not “look-through”, like normal goggles; he is […]
Miley Cyrus, Taylor Swift and American gun culture
A recent article on Yahoo addresses an interview with Miley Cyrus in which she expressed the view that she is often labelled a bad role model while, by contrast, the pop star with the squeaky clean image, Taylor Swift, is seen as the good role model. This divergence, she argued, hides double standards, more particularly […]
Movies and robots: society’s unconscious anxiety?
How much importance should one attach to recurrent cinematic themes involving humanity-destructive robots, which arguably represent what might be called society’s collective anxiety about technology gone seriously wrong? Cinema could perhaps be understood in Freudian terms as the collective dreams of society, which, not unlike ordinary dreams (sometimes nightmares), function as “wish-fulfilment”. Nightmares are also […]
How to write a film review (Part 2)
(Continued) In your review, you should also refer to the narrative, but DON’T give away any secrets that would spoil the fun for audiences (as some reviewers did for The Crying Game!), and DON’T “tell the whole story”, or even try. That is not your task as reviewer. Usually one would combine one’s discussion of […]
How to write a film review (Part 1)
There are good and bad film reviews. This could either pertain to “bad” as opposed to “good” writing (that is, an ungrammatical, sloppy, vocabulary-poor way of writing in contrast to a grammatical, fluent, clear, richly worded mode of expression), or to the structure of the reviews in question, or to both. Every person who wants […]
New ‘RoboCop’ reboots the roboethics dilemma
The one good thing about being unable to sleep in an aircraft, sitting in a cramped-up position for longer than eight hours at a time in the case of two successive flights, is that you can catch up on all the recent movies you’ve not had the time to view. On our recent trip to […]
Women and unconventional morality
The implications of the heading, above, are not as simple as it may appear. I can imagine most feminists immediately reminding me that adopting a different discursive orientation — different from patriarchal discourse, that is — is already highly unconventional. As a male feminist (no, it’s not an oxymoron) myself, I would agree, but that’s […]
Is cinema fundamentally conceptual or perceptual?
Looking for different ways in which the human body has been thematised in film makes for interesting research. I was reminded of this recently when acting as examiner for a dissertation written by a master’s student, Martin Rossouw of UFS, in which (among other films) he analysed Charles Chaplin’s 1936 classic, Modern Times. Rossouw demonstrated […]