Tag Archives: percepts

Is cinema fundamentally conceptual or perceptual?

Looking for different ways in which the human body has been thematised in film makes for interesting research. I was reminded of this recently when acting as examiner for a dissertation written by a master’s student, Martin Rossouw of UFS, in which (among other films) he analysed Charles Chaplin’s 1936 classic, Modern Times. Rossouw demonstrated…

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