Tag Archives: film

A stream of consciousness: Art, consciousness, self-consciousness and the unconscious

What is a ‘stream of consciousness’? This presupposes that one knows what consciousness is, and how it differs from the unconscious, and from self-consciousness. Briefly, consciousness means an awareness of something, most broadly your environment. In this sense, even plants are conscious, as shown by the phenomenon of phototropism. Self-consciousness, by contrast, denotes not just…

Leave a comment Continue Reading →

The lost sense of community: Christopher Nolan’s ‘Dunkirk’

Christopher Nolan’s recently released feature film Dunkirk not only fills a long-existing gap in cinematic coverage of important historical (particularly wartime) events; it also highlights something of contemporary significance: the glaring difference between the world of the 1940s and that of today, namely the strong sense of community that animated people back then, and which,…

Leave a comment Continue Reading →

The biggest cover-up of all time?

After seeing the film based on Dan Brown’s The Da Vinci Code, and not having read the novel, I was somewhat prejudiced against his work as being just another kind of thriller, spruced up with a high-art context in which the action unfolds. Until I read his novel, Inferno, named after the first part of…

Leave a comment Continue Reading →

The lie that society is founded on

In Living in the End Times (London: Verso, 2010) that inimitable Slovenian philosopher cum psychoanalytical theorist Slavoj Žižek performs a dazzling analysis of Christopher Nolan’s genealogical Batman film The Dark Knight (2008). What his analysis brings to light is something that, Žižek reminds one, John Ford also explored cinematically years ago in Fort Apache (1948)…

9 Comments Continue Reading →

Movies and robots: society’s unconscious anxiety?

How much importance should one attach to recurrent cinematic themes involving humanity-destructive robots, which arguably represent what might be called society’s collective anxiety about technology gone seriously wrong? Cinema could perhaps be understood in Freudian terms as the collective dreams of society, which, not unlike ordinary dreams (sometimes nightmares), function as “wish-fulfilment”. Nightmares are also…

2 Comments Continue Reading →

How to write a film review (Part 2)

(Continued) In your review, you should also refer to the narrative, but DON’T give away any secrets that would spoil the fun for audiences (as some reviewers did for The Crying Game!), and DON’T “tell the whole story”, or even try. That is not your task as reviewer. Usually one would combine one’s discussion of…

Leave a comment Continue Reading →

How to write a film review (Part 1)

There are good and bad film reviews. This could either pertain to “bad” as opposed to “good” writing (that is, an ungrammatical, sloppy, vocabulary-poor way of writing in contrast to a grammatical, fluent, clear, richly worded mode of expression), or to the structure of the reviews in question, or to both. Every person who wants…

2 Comments Continue Reading →

Teaching and learning in the ‘network society’

Teaching at university in the early 21st century requires of lecturers that they take the “lifeworld” in which students live seriously. This lifeworld comprises what Manuel Castells (2010) calls the “Network Society” (see here) – a global society that has actualised an ever-expanding web or network of electronic means of information and communication. The fact…

9 Comments Continue Reading →

The dream of Jormungand – Japanese anime and wish-fulfilment

The more I see of Japanese anime, the more I am impressed by, and the better I understand the way that many of these popular movies address serious issues. A while ago I wrote on the anime series Psycho-Pass and its pertinence for the question of societal control, and I have just finished watching another…

3 Comments Continue Reading →

Transcendence: The clash of humanity and technology

Near the beginning of the 2014 thought-provoking science fiction film, Transcendence (directed by Wally Pfister2014), one of the main characters, Max Waters (Paul Bettany), walks into and through a deserted house into a little courtyard, bends down next to some sunflowers (the only healthy plants in the garden), thinking aloud to himself that “he” (his…

7 Comments Continue Reading →
Page 112